Designer Clothes – It was like something out of a quintessential Riviera movie. With the sun setting over the sea, hundreds of Chanel’s invited guests sitting in the red wooden chairs of Saint-Tropez’s famous Sénéquier, and many more onlookers piling onto balconies and pressing against barricades, Natasha Poly, Anja Rubik, and the rest of Karl Lagerfeld’s cast arrived at Quai Jean Jaurès via speedboat. And like the carefree starlets and jet-setters they were channeling, the models traipsed down the street-cum-runway often barefoot, wearing seventies-ish diaphanous caftans, long crocheted dresses, ruffle-lapelled silk jersey trouser suits, and patchwork denim skirts. Tanned and toned midriffs peeked out beneath a cropped sweater here or a button-down there, its hems tied in a saucy bow.
Some of the pieces, like Freja Beha Erichsen’s white silk Mick Jagger tuxedo, were making repeat performances, having appeared in Remember Now, the Lagerfeld-directed short film that screened at the Cinéma de la Renaissance the night before. The Stones front man, of course, married Bianca in just such an outfit in Saint-Tropez’s town hall back in 1971. Magdalena Frackowiak, doing a spot-on Brigitte Bardot shimmy, danced her way toward the photo pit in a black and white checked maillot. And for the finale, there was Georgia May Jagger, with her dad’s tune “Let’s Spend the Night Together” for an accompaniment. A dead ringer for Bardot circa And God Created Woman if there ever was one, the pouty-lipped model got to take a spin in a beaded minidress and thigh-high boots on the back of a tricked-out Harley.
The trio of cropped bouclé tweed jackets, bikini tops, and belted high-waisted brown denim flares could’ve gone straight from the catwalk to the after-party (at least, if there’d been less chill in the air). Post-show at the VIP Room dinner, Lagerfeld was flanked by Vanessa Paradis, Diane Kruger, Anna Mouglalis, and Elisa Sednaoui, each one more gorgeous and glamorous than the next. Who says things were better back when? Tonight’s scene was enough to make Roger Vadim and Mick Jagger both very jealous indeed
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Betsey Johnson first nabbed her spot on the fashion in the sixties and seventies. Her designs were just as hot then as they are now. In fact, they were so hot that they have been referred to as "culty brands" by New York Fashion, which has her fashion status marked as "Established, Household Name."
